Women in Art - A Joyful Journey Artists
Works, Inspirations and Artist Statements
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Lauren Careese Alexander
The flowers would never lie to me - acrylic and yarn on canvas, 25x20in. $700
I think that one of the silliest and most precious things that we do as kids is try to predict the future. Whether it is by picking petals off of flowers to see if someone loves us or making paper fortune tellers to find out if we will have four children or not, it is so sweet to think that a child could predict what will happen in the uncertain future.
Artist Statement
My work largely deals with memory and nostalgia. Through ceramics, painting, and crochet I can understand which parts of my childhood have shaped who I am today as a young adult. This body of work celebrates girlhood and all the joys and pains that accompany growing from a girl into a woman.
Whitney Bell
Cowgirl Barb, acrylic and ink on canvas 18x24in. NFS
I've been working with non objective layers of pattern for some time, but have recently been experimenting with applying this technique to photographs I've taken of my children.
Artist Statement
The ability to dislike and later fall in love with some(thing/one) based on its layers is remarkable. I do not like my work until I have painted over it multiple times, with the underneath compositions still somewhat visible. I am interested in free form lines and their ability to create beauty through layering and repetition. Most human made designs- architectural and textile-are infallibly symmetrical. However, natural and anatomical shapes are never perfectly balanced. Humans are crooked. Flowers are uneven. I consider my paintings non-objective because most of the imagery is non-representational; however, organic forms reminiscent of the natural world do emerge. I also look for new shapes emerging as the layers begin to interact, and I outline those. Whenever sections of my painting feel disconnected, I let washes drip through wet paint, pulling pigment across my canvas to connect. I rarely wash my brushes well so that parts of a previous hue are always mixed in with the next. This helps me limit my color palette and keeps tones muted as well. I juxtapose earth tones with synthetically colorful pops of paint. However, subtlety is starting to become more valuable to me in my work. When painting, I try to dive into a subconscious state, trusting muscle memory and working as intuitively as possible. I paint many layers of intertwining patterns, creating a strata like composition. I have a need for it all to connect in some way, but not too obviously, akin to patterns in nature that we pass by every day.
Roseline Bodiford
Ballerina Rose, bronze statue, and satin and silk tulle, 24x36in. $9,000
My ballerina is an extension of my primary career. I want to represent the classical ballet dancer in bronze as she is seen today. classism in dance is very much alive reaching new heights. The beauty and grace the public sees during a live performance is spectacular. to experience my piece is to feel the full expression of the ballet dancers’ gestures which must be strong powerful yet soft and lyrical.
The Impressionists Visit, oil on canvas, 24x36in. $900
One lonely evening, I asked myself, who would I invite to dinner if I could choose anyone during the pandemic. Answer, the French Impressionists! It would take place on the French Rivera. Monet was the first to arrive. Opened the double door French doors and painted his Mediterranean skyscape. Cézanne contributed a few fruits. Renoir, a vase of porcelain. Their friend Gustav Caillebotte his notorious scraped floors and iron gate. Van Gogh filled the vase with his yellow upon yellow flowers least he leave behind a solemn appendage. It was a most delightful evening.
Artist Statement
Beauty grace and movement is a recurring theme to what I do as an artist. Whether making a sculpture or a paintings I naturally tend to lead one shape into another by organic instinct stemming from my ability as a ballet dancer. A vase of flowers or a landscape needs a theatrical moment. Color is an everyday experience in my world, I love them all. I hope my art brings joy to peoples hearts as much or more as I love making it.
Valerie Boyd
Homage to Joan Brown, oil on canvas, 24x72in. $6,000
I viewed Joan Brown's painting "Self Portrait with Fish and Cat" (in the "Women Painters" Exhibit at the Modern Museum in Fort Worth) and was captivated. I loved Brown’s painting: the scale, the red background, and Brown’s sense of humor. I appreciated how Brown conveyed her passion for painting and her pets and her whimsy. I decided to paint my version and celebrate these shared loves — painting and pets. Like Brown, I declare myself a painter and convey my connection with my loyal "art" dogs. I have substituted the huge fish Brown held with my chihuahua mix “Hip” and Brown’s beloved cat Leela with my very mixed breed “Hop.” I painted a study of Hop and captured his soulful eyes and brindle spirit, before placing him at my feet on the flattened grid that echoes the one Brown included in her piece. I intentionally played with “pentimento,” the practice of leaving earlier traces of lines and layers, giving a nod to techniques I have studied in live model classes.
Artist Statement
Valerie Guth Boyd believes that, like exercise, creativity needs to be practiced regularly, preferably daily. Her artistic journey began 20 years ago while living in Minneapolis, Minnesota. She found oil painting provided a language to communicate the beauty and grandeur she sees around her. Color has become a means for her to articulate emotion and convey the reverence she holds for her subjects.
Boyd moved to Dallas in 2013 and delved more deeply into her art and her creative flow. In 2017, she began a series of oil portraits of remarkable women. One hundred are highlighted in her book Badass Women. When not in her studio, Boyd immerses herself in the rich cultural offerings in the Dallas Metroplex. She participates in various live model studios and attends art workshops. She loves to explore museums, galleries, and art happenings around the metroplex and leads a Museum Group who join her in this pursuit.
Anna Brindley
I Always Wanted You, acrylic on canvas 30x24in. $2,340
My daughter was trying on clothes with a pile of clothes around her and I just remembered how I had always dreamed of her and how I wanted her long before she got here.
Artist Statement
Anna Brindley loves to create all kinds of things. You'll see her experimenting in all sorts of mediums. Painting steals the majority of her creative endeavors and that efforts got the attention of Dan Levy when she painted a portrait of Moira of Schitt's Creek. Professionally she's been commissioned for more pet portraits than she ever thought possible. It gives her such pleasure to elicit joy. Anna is a big proponent of encouraging people to do their art. She finds healing of her own through her practice and hopes you will find your practice that heals you.
Lynne Buchanan
Carousel, acrylic, 29x23in. $800
The first blooms on my succulents that live in the garage during the winter. It is always such a delight to see new blooms that signal Winter is over.
Artist Statement
Lynne Buchanan is a contemporary abstract painter. Educated with a B.F.A. in Drawing and Painting, she taught art in public schools. After retiring from 25 years of teaching, she began a career as a full time artist. She participates in area art organizations, serving on several boards. Her work has been juried into many local, regional and state competitions and she has won numerous awards. She works from her studio in the Dallas/ Ft. Worth area. Her passion in creating abstract art is to explore and manipulate layers of colors and using mark making to create a visual narrative. Exploring the mystery of abstract dialogue, Buchanan invites the viewer to participate in the conversation.
Discovery is a major part of my process. I work intuitively to discover color interactions and variety in lines. My canvases get toned with a brilliant red and I use multiple tools to scrape away layers of the paint I apply. The red surface then functions as gestural lines in the piece. Shapes are layers of color that I apply with brushes, spatulas and more often than not ‘my fingers.’ Blurred edges and shapes represent the many layers of our lives. Our lives are a series of layers that can be scraped away and rebuilt. Working with an abstract format inspired by Nature’s shapes and lines, I try to reveal what can be discovered in the lines and layers of color and leave the narrative open for the viewer to finish.
Brighton Bushong
Wander, acrylic and gouache, 10x10in. $200
I was thinking about my own journeys when painting this piece, and how I could apply that to my artwork. One of the most impactful journeys I have experienced was when I went to Europe. I believe it altered my view of art, just seeing all the masterpieces in the museums I visited and how they stood the test of time. But the most inspiring thing I saw while I was there, was Monets garden. Seeing how he took inspiration from his own life and journey made me think about how I could do the same. So I painted this scene based on a photo I took there, and added the bird to represent my own inspiration taking flight.
Artist Statement
I use acrylic gouache and regular gouache to create my artwork, the process of layering paint down to create something unique is one of the most comforting and joyful things I value in my life. I find it somehow connects me to the journeys of all the artists before me. Each piece I make reminds me that my own journey is just beginning.
Lavanya Challa
Bouquet, Lavanya Challa, acrylic on paper, 5.5x7in. $280
Color, movement and shapes are always my inspiration--and definitely in this piece.
Waterfall, Lavanya Challa, acrylic on paper, 4.5x6 in. $280
What if a waterfall shape--with exhuberant movement--came in colors?
Artist Statement
Animated brushstrokes bring canvases to life with color, movement and light in Lavanya Challa’s paintings. “My creations reflect the essence of my life journey, filled with vibrant colors, unique perspectives, and a fearless spirit,” Challa says.
Her provocative abstract paintings evoke emotions and spark the imagination. Seemingly random, these paintings are carefully planned, meticulously composed, and expertly balanced. Her approach is bold and fearless. A true abstract expressionist, Challa says her work is characterized by gestural brush strokes or mark-making, and the expression of spontaneity.
I am constantly jumping into action, unafraid to experiment and push the boundaries of traditional art forms,” Challa says. “Through my work, I aim to captivate and inspire viewers, encouraging them to see the world through a fresh lens.
Her art is an amalgamation of her passions, talents, and life experiences, intricately woven together to create a tapestry of self-expression. She initially studied architecture and design, earning her Bachelor’s degree from Jawaharlal Nehru Technological University of Hyderabad, India. After a few years of work after college, she found her true calling in art.
Every moment, every endeavor, from studying architecture to exploring different crafts, has contributed to my growth and artistic development.” After realizing the profound impact art had on her life, she decided to teach art classes, guiding aspiring artists on their own creative journeys. “This five-year experience not only deepened my understanding of the artistic process but also fueled my desire to inspire and motivate others through my work.
The true turning point in her life and art came when she became a mother for the second time, with a special needs daughter. It was a profound life experience, she says, that made her realize the importance of embracing the present moment.
I understood that there is no better time than now to pursue my artistic dreams. I stopped waiting for the ‘perfect’ moment and instead dove headfirst into my creative pursuits.
Having and nurturing her children reminded her of what was important in her own childhood. “As a child, I would immerse myself in the world of colors and shapes, continuously pushing the boundaries of my imagination,” she said. Today, Challa is a full-time artist and mother, based in Plano, Texas.
Alicia Chapman
Joy in the Morning - acrylic on canvas, 18x24in. $500
In the tranquil moments before the world begins to stir, I find solace and joy in the stillness. I love to embrace the dawn with open arms and let the gentle rays of the morning sun illuminate my spirit. I find delight in the company of blooming flowers and little hummingbirds. I allow the morning to be a canvas for positivity, painting each new day with vibrant hues of possibility. As the world awakens, there is a sense of gratitude for another day and optimism in the morning melody, filling my heart with a sweet symphony of joy. A reminder that each day holds the promise of new beginnings and the potential for happiness.
Wild and Sacred - acrylic on canvas, 18x24 in. $500
There is a wild spirit within every woman, a captivating dance between the untamed and the sacred. Like birds soaring freely in the sky, women must embrace their innate grace and fierce independence. Women are the queens of their stories, wearing their crowns with regal elegance and a touch of rebelliousness. No matter what challenges come their way, they rise with the resilience of royalty, navigating life’s intricate tapestry with a wild heart and a sacred soul. In the symphony of existence, women are the song and the melody, celebrating the beauty within, the soaring freedom of flight, and the regal majesty of their unique journey.
Artist Statement
Alicia Chapman's distinctive style and visual language are a product of her background and experiences in graffiti street art throughout the late 90s.
Alicia is a contemporary artist who enjoys using acrylic, oil, and spray paint. She creates spontaneous mark-making inspired by calligraphy and graffiti, carefully applying it to create patterns, contrast, and emphasis. She derives her inspiration from observing her hikes and surroundings. Her subjects vary from nature and portraits to abstracts. Alicia often showcases women’s and nature’s beauty in her creations, combining both to display solidarity.
Alicia's work encourages us to expand our understanding of our relationship with nature and raises awareness about the importance of social and environmental justice.
Jeane Elliott Clayton
My Fruit, fiber: hand stitched appliqued fibers + wool which is hooked and needle felted42.5x31.5in. $1,200 SOLD
"My Fruit" in this series refers to a woman's rights to our bodies, standing in one's power and unity. Receptiveness to each other without judgement. Pomegranates symbolize our bodies, our lives: for fertility in all ways- growth, education, love, ability to set healthy boundaries and live a full life. This is the first large piece in this series. She is connected, content and joyful.
Artist Statement
Moments in time, imagined worlds-and reflections of this world- expressed through intuition and inspiration are common themes in my work. Threads of connection, seen and unseen, mysteries of that which cannot be explained and “je ne sais quoi” narratives are all part of my visual inquiry. My recent work includes expressionistic messages related to political feminism, the universal feminine, human/natural world connections and reflections on my childhood in Dallas.
Victoria Eaglebear
Luna, mixed media on paper, 16.5x12.5in. $475
This piece was an exercise in letting go and exploring what it means to be a spiritual artist. I began by playing with contrasting colors and creating a gestural mark with a brayer. That mark resembled a vinyl record to me; I then made out the pattern of a woman's eyes, nose, and lips. The record now became a hat, a fascinator. I followed the lines toward textural and natural landscape elements began to emerge. The vivid colors, collage elements and intuitive mark making all flowed from my heart, mind, and soul.
She revealed herself to me through this process of creation. She has so many stories to tell, and journeys to take you on if you let her. Luna is always part of my consciousness. she shows up when I take the time to be still, and listen; then she may light the way.
Artist Statement
Victoria Eaglebear is a deeply reflective oil painter whose work focuses on creating wildlife and nature portraits. Recently, her paintings have evolved into narrative compositions dealing with mental health themes. She boldly uses wildlife, figurative, and nature scenes to tell her story when words are not adequate. By illustrating emotions of grief, loss, and the journey toward self-discovery, she hopes that others will be empowered to share their stories.
Julie England
Red Roses, ink, watercolor and oil on Yupo, 26x40in., (31 1/4x45 ¼ in. frame), $2,800
Red Roses was inspired by the many occasions in our lives where roses are offered, given or exchanged. Roses are symbols that mark the years and decades of our happiest and perhaps saddest life events. We sometimes keep the rose blooms until they are dried as a way to hold onto the memories.
Whether a mass of color blur or the focal point of a bloom like a botanical illustration, each is recording its environment and time. A meditative connection to the wild land comes with observation and ecological awareness.
I paint natural, organic imagery with a focus on mark-making and use of material transparencies. My work includes vegetative and topological forms and gestures using color as a vehicle to convey energy from nature. I create images of imaginary environments inviting viewers to visit.
Artist Statement
The Earth’s diverse surface is fascinating, especially on the road to the abbey. My current landscape series is about our annual drive from Texas to New Mexico, and to northern Colorado to visit the Abbey of St. Walburga. The abbey is a community of Benedictine contemplative nuns of the Roman Catholic Church, including a family member. This trip evokes reflection on life choices, the path we take and what we sacrifice. The landscapes are markers of questions along the journey. My connection to outdoor energy is comforting like connecting with family. We relocated seven times before I was thirteen years old from Wisconsin to Florida and Texas with diverse land, sky and waterfronts. I connected with the backyard flora and fauna, before the neighborhood kids down the street. Diverse landscapes and flora piqued my interest. Whether a mass of color blur or the focal point of a bloom like a botanical illustration, each is recording its environment and time. A meditative connection to the wild land comes with observation and ecological awareness.
“Women belong in all places where decisions are being made” said Ruth Bader Ginsburg. This passion for blazing trails in corporate roles is why I combine business with my art practice. Taking a seat at the board table is my way to pay forward to the next generation of professional women. I am a corporate independent director on two corporate boards and I paint between board meetings. My daily practice takes place in an art studio located in the Dallas Design District. Dedicated to oil painting, I went back to earn a 4-year university art degree in order to launch my 20+-year commitment to painting and feed a desire to learn from professional oil painting artists. My artwork has a focus on materials and process, an extension of my chemical engineering background. The bold use of ink marks that swirl through the backgrounds of floral compositions, echo and amplify the rhythms of the more naturally drawn floral elements. Material transparency and texture are leveraged in creating organic textures. Color is a vehicle to convey energy from nature. These works nod to influences from Henri Matisse, Pierre Bonnard and Robert Kushner.
Annie Foster
Homage to Matisse, ceramic sculpture, 8x8x4in. $250
Playing with two dimensional painted forms by Matisse in a three-dimensional format.
Still Life Quartet, ceramic sculpture, 17x17x2in. $400
Creating a series of still life images using implied and actual shapes and forms.
Artist Statement
The still life genre is a celebration of ordinary objects, many times overlooked, devoid of direct human narrative. Unlike a painting that gives the viewer a window to the world – the still life is about closeness, it asks the viewer to focus on a few limited things in a work of art, usually items of daily use. As a ceramicist who throws symmetrical pots on the wheel, I like to explore the relationship between objects in a simple format. The intent is to create an image that is quiet and meditative without reference to class, politics, or news of the day. By taking simple symmetrical forms and placing them in painterly format I am trying to create a tranquil image in a noisy world.
Sandra Freeman
Crimson Fruit, mixed media, 11x14in. framed, $125
The color of crimson bursting out from soft plum and brown background. The idea that fruit is so beautiful as it grows.
Artist Statement
An avid collector with a house full of art, Sandra Freeman decided it was time to see what she could make herself. She enlisted the support of her husband, Charlie, a commercial photographer, about 15 years ago and started to learn photography. “I think I have an innate sense about design,” she said, “but I wanted some technical proficiency to see what I could do with that.” She mastered photography and took traditional pictures, always with a twist. “I have photos of beautiful plants, but they’re printed in sepia tone,” she said.
Photography led her to digital applications that allowed her to create random fine art patterns that she printed with archival inks on heavy, archival paper stock. To these backgrounds, she began to create designs using embroidery thread and stitchery techniques. “I had learned to paint also, taking every sort of art class that interested me online.” She says ironically the Covid pandemic forced a surge in online classes and video interviews with established artists all around the world. Freeman began to paint abstracts, primarily, and favored “tiny paintings,” believing that other collectors might have run out of room for big art just as she had. But her main reason? “I think small pictures make people lean in and really look,” she said. “It’s the ultimate art experience, to try to see and comprehend what the artist is trying to say.” Her new work with stitchery and photography is also made in a small format—5x5 inches or 5x7 inches typically. Her mixed media pieces mimic actual paintings, with meaning, message and emotion inherent in the concepts. Devoted to experimentation in her work, she is on the lookout for found objects wherever she is, and spends time in the hardware aisles of big-box home improvement retailers.“I found some washers I wanted to use, and gaskets.” She transformed the shiny washers into rusty circles to use in the stitchery pictures and sewed rubber gaskets into her work. “I see things and readily put them together,” she says, speaking primarily of materials. “I’m working now with plastic netting, chopping it up to see what I can make of it.” She doesn’t want people to mistake her creations for craft. “Crafters are brilliant, but that’s not who I am and that’s not what my art is,” she said.
The Dallas native had several careers before taking photography and other art seriously as a full-time pursuit. She has been a teacher, a real estate agent, an art agent and a personal assistant among other endeavors. “I just love art,” she says. “I am surrounded by it in my own space and I seek it out everywhere.” Making it, then, makes perfect sense and delightful images.
Shuang Gou
Strawberries, acrylic, 16x16in. $380
My painting captures a sunny spring afternoon filled with ripe strawberries as far as the eye can see, each bursting with flavor. Among them sits a glass of strawberry juice, mirroring the joy of the scene. With each stroke, I aim to share the delight of nature's sweetness, inviting viewers into a world where happiness is as abundant as the fruit.
Artist Statement
My artistic pursuits center around delving into the spiritual core of humanity within the context of our contemporary world. They also serve as a reflection of my thoughts on the subtle and complicated psychological world.
Amidst the relentless whirlwind of our fast-paced and highly commercialized society, I crave the rediscovery and reconnection to our innate nature. Through many of my paintings, I strive to capture the vibrancy and richness of life, addressing the challenge of finding balance in our busy modern existence and identifying sources where individuals can replenish their energy.
I frequently incorporate symbols and metaphors in my work to communicate emotions and sensations that often transcend the limitations of language. I seek to create a delicate balance between illusion and reality, allowing viewers to venture into a realm where their own interpretations and emotions come alive.
Celia Hardick
Work in Progress, oil on panel, 9x12in. $200
This was the first portrait I ever did. At the time, portraiture was a territory I had never explored before, and frankly, it scared me. Because I wanted so bad to be "good" at it. And through the process of painting this portrait, I learned that the process is precisely what matters. Not the finished product. Whether a piece comes easily or I have to dig down deep to keep going, the process is teaching me something along the way. And the lessons I learn from each piece contribute to my overall journey as an artist. Painting brings me joy and I want to do it forever. There will never be an end to the journey -- my art, and myself, will always be a work in progress. And to me, that's exciting.
Artist Statement
As a new painter, working primarily in oils, I am constantly inspired by the beauty of the earth and the complexities of human emotion. Having lived in many places around the world -- from Austin to New York City to Toronto to Melbourne -- I explore themes of identity, belonging, and the interconnectedness of all living things. I seek to capture the depth and meaning of places and the people that live there, inviting viewers to think about their own relationships with the world around them.
At the heart of my art lies a commitment to vulnerability. I believe that art has the power to transcend language and cultural barriers, and can spark meaningful conversations that foster empathy and understanding. Ultimately, my goal as an artist is to evoke emotion in the viewer and encourage them to pause and reflect on the complexity of life and its moments. I am deeply grateful for the opportunity to share my vision with the world and to contribute, in my own small way, to the ongoing conversation of human expression.
Marilyn Henrion
Preston Place 7, mixed media, hand quilted, 24x18in. $4,000
My aesthetic vision has always been inspired by my surroundings, whether that be the urban geometry of my hometown of New York City or in my international travels. In 2022 at age 90, I relocated to Texas. Although my traveling days are over and my surroundings have changed, I continue to strive to illuminate beauty in unexpected places...a chair, a staircase, a brick wall. This more intimate focus on home and nature gives me great joy.
Artist Statement
I was born in Brooklyn New York in 1932 and am a graduate of Cooper Union and Fordham University. Having lived all of my adult life in New York City’s Greenwich Village, my aesthetic vision had always been deeply rooted in the urban geometry of my surroundings, whether at home or in my travels. Since I relocated to Texas in 2022 at the age of 90, that vision has expanded to include the natural world and the more intimate spaces that I inhabit, Among those spaces are those that I call home and which give me great joy now that my travel days are over. Much as Edward Hopper did in the 20th century, I synthesize and transform the“facts” of the material world to reflect my experience of a particular place, striving to illuminate beauty in unexpected places...a stairway, an armchair, tree roots, etc. My works are included in museum, corporate, and private collections internationally. I am also represented in the Smithsonian Institution’s Archives of American Art.
Karlina Higdon
Sisterhood, oil on canvas, 24x36 in. $1,850
I love grandeur and drama and excitement, and I always seem to get so caught up in doing too much. My sister has a tendency towards gentleness and taking time to appreciate quiet moments. It is because of her that I have begun to find myself caught up in the beauty of the mundane and the domestic. I have begun to notice the subtle loveliness of just experiencing the joys of everyday tasks. In this painting, I depict the peaceful, joyful spirit of my sister.
Artist Statement
Through figurative oil paintings and portraiture, I observe a balance between the mundane and the divine. My paintings address themes of contentment, satisfaction, and the sacred: I paint people finding fulfillment in simplicity to defy a culture that promotes abundance and luxury. My infatuation with art history directly influences my decision making and process as a painter. Much of my work draws from 17th century Dutch masters and French realists, whom I resonate with both in terms of subject matter and technique. I implement soft glazes, subtle impasto, and scumbling into my practice to further the sense of harmony that the subject matter introduces. My fascination with the transformative qualities of light and color is evident in the way I render things that are often overlooked.
Kris Horn
Bisou du Printemps, oil on canvas, 30x20in. $600
The first hint of spring emerging through the winter snow.
Artist Statement
My work explores the synergistic connection between color and emotion. I am inspired by the transformative power of the natural world and the quiet magic resting in all elements. As human beings, we instinctively erect barriers to mask our vulnerability and mute the depth of our perception. I am interested in the power of evocative color to transcend those barriers and awaken our connection to the essence of all. Art is the symphony for the dance between the physical and the metaphysical. By deliberately disrupting our perceptions, we invite introspection and awareness beyond the surface of our emotions. The canvas is my playground for those emotions. When I work, I typically begin with a particular affectivity. But as emotion finds expression in color and color intensifies emotion, each becomes the other until they ultimately manifest as one.
Jacqueline Jackson
Beekeeper, ceramic, 12x9in. $1,200
While building our home a bees built a beehive in a tree in our front yard. I asked the site manager to have them removed but he killed them instead of taking the time to call someone to relocate them.
Artist Statement
My work is a constant search for the best way to interpret the images and ideas that I have about this world that God has placed me in. I don’t limit myself to one style, medium or concept. Each work I create is simultaneously an extension of where I have been, what I have learned and who’s I am. I like the idea that art doesn’t necessarily need functionality and I am inspired daily while observing nature, watching people, and surfing YouTube and Instagram. If a person stops for a moment to view and reflect on one of my works, then I consider my work as a success and I have provoked some kind of emotion.
I am originally from a small town about thirty minutes from Baton Rouge, Louisiana but after retiring from the Air Force now I reside in Cedar Hill, TX, and specializing in sculptures and acrylic paintings. My artwork radiates my creative style from the soul and speaks to a deeper level of reflection. By utilizing a combination of traditional techniques and modern materials, my thought-provoking works are truly unique. My works often reflect my spiritual relationship with God and meditation on how it guides my life. I welcome all types of interpretations of my work, in an effort to create a shared story between me and the audience. My artworks demonstrate my passionate and creative spirit, and I am committed to making a lasting impact on my audiences with pieces that are certain to foster contemplation and lasting beauty.
Rebecca J. Jones
Bananas, graphite and colored pencil, 30x24in. $1,500
Feminism as it is today in regards to work and family. The scales are still not balanced.
Love, graphite and colored pencil, 30x24in. $1,550
Silly, sexy, and weird all at the same time, love is a funny emotion that can sneak up on you when you least expect it.
Artist Statement
As someone who has spent most of her life in animation, I have always loved the spirit of exaggeration to tell a good story. I gravitate towards simple moments that are impactful and I am a sucker for the happy ones... the stories that make me smile.
Emily Lamberty
One Infinity, mixed media on board, 8x8 in. $195
To me, "Joyful Journey" evokes images of bright colors and the concept of infinity, movement, and time and space.
Artist Statement
My work is a vibrant tapestry of emotions and experiences, woven through the interplay of color, texture, and layers. Each stroke on the canvas is a reflection of the journey I've traversed, capturing moments in time and space with an unyielding sense of joy and wonder. In my pieces, chaos dances harmoniously with order, mirroring the beautiful chaos of life itself. Through the blending of hues and the juxtaposition of textures, I explore the delicate balance between control and spontaneity, inviting viewers to contemplate the complexities of existence. My philosophy is rooted in embracing the unknown, finding beauty in the unexpected twists and turns that shape our lives. I aim to evoke a sense of connection and introspection, inviting others to embark on their own personal journey of self-discovery. Ultimately, my art serves as a testament to the power of expression, a celebration of the human spirit's resilience and capacity for growth.
Alison Ledbetter
Renaissance, oil on canvas, 12x16in. $600
I wanted to show a manifestation of internal energy and creativity with an emphasis on the spirituality found here. The halo is formed from within the self rather from an external force, and it surrounds her. For fun I took some nods from Botticelli but with a shifted internal perspective.
Artist Statement
Emotion comes first and everything that follows is structural. In my work I aim to radiate an inner landscape shaped by the experience of womanhood. There is pain but there is also renewal, and each is held closely at the core. Here, hard-fought autonomy thrives and is even worshiped. It is this energy of self radiating outward that I seek to capture in my work. The feeling carves the path, making way for deeper meaning to follow closely behind.
Elizabeth Mahy
Russian Roses, oil stick on silkscreen, 12x10 in. $200
I was watching my instructor use oil sticks on an old silk screen and I noticed that I could see through the screen. Fascinated, I tried it myself. My mother's two parents immigrated from Russia, so things Russian fascinate me. This piece reminds me of the enamel work that they do on black boxes.
Artist Statement
I am going to turn 80 this summer. I have not had much representation although my occupation of choice has always been "artist." I have been called "a wanna be" among other unflattering things. I hold a bachelor's of science degree in English with a 56 credit minor in art-60 credits being a major. I was the first person in my family to attend college on either side.
In my home town of Oshkosh, Wisconsin there is both a museum and an arboretum where I saw every show I could. I also studied drawings in the home town library. I walked over the Fox River on the bridge carrying canvases.
Laurie Martineau
Rewind, acrylic and charcoal on canvas, 18x24in. $450
Inspiration comes as I paint and repaint and repaint so I can't come to an exact concept before I begin. But with this painting - I did choose a more earthy palette which related to the very energetic composition that lies beneath this piece. The original painting had not sold and seemed to be stagnant so I decided to give it a new life. I maintain the layers and textures to give interest and created some shapes and negative space leaving some of the original painting to peek out between the newly formed shapes.
Artist Statement
Laurie is a painter living and working in Dallas, Texas. Laurie is a self-taught abstract artist working with acrylic, charcoal, ink and pastel on paper and canvas. She builds layers using paint and drawing with gestural marks until a rich texture evolves with a beautiful history of addition and subtraction. The piece takes on many forms and has a great many faces until a design emerges and a refining process begins. This reduction of elements is both bold and considered, both radical and cautious. Eventually the composition settles, and final adjustments complete the piece. Using brushes, palette knives and various tools to create an organic texture creates depth to an otherwise spare composition. The paintings juxtapose the natural environment with geometric details that create a disruptive boundary between organic and inorganic elements and color and shape.
Recent work has been an exploration of bright and bold color and form to heighten the senses and surprise the eye— placing contrasting color together adjacent to harmonious blends of each to take you up and down the spectrum. Using my professional experience working with architecture, real estate and design, I blend my love for composition and balance with abstract artwork, creating modern and contemporary artwork that work in many different styles of homes and commercial properties. Laurie has a degree in Geology and an MBA in Marketing and has been selected in various juried shows in the area.
Ann McIntyre
Carousel, monotype, 24.75x22.5in. $1,150
I'm attracted to searching out random things that I find in all kinds of unexpected places....the alley, the grocery store, the packing material from the endless shipments of online goods. My instinct is to save things about to be discarded and seeing if they can be made beautiful. In Carousel, I've repurposed the ubiquitous construction fencing material we all see everywhere along with netting and plastic disks to make a multilayered work in playful colors. My hope is to inspire others to rethink the opportunities for transformation from the bits and pieces in all of our lives.
Artist Statement
I start with an attraction to and curiosity about a material, usually things that have been used up for their original purpose and discarded. Walks in my alley lead me to random, leftover things. I challenge myself: Can I pull a second life out of something that has been thrown away? Building up layers of materials into a matrix intrigues and engages me. Experimentation and play are at the core of my practice. Unlike our instantaneous society, the process is time consuming and evolves slowly through trial and error. The surprises delight me and metaphorically remind me to remain open and responsive to the unexpected. The possibilities seem endless. I hope my work inspires others to see the infinite possibilities in their surroundings, to give second thoughts to the remainders in our lives, and to be invigorated by the transformative power of the imagination.
Diane Min
Happy Dance, ink, 13.5x10.5in. $350
Happy Dance" emanates vivid hues and rich depths within each color. Though simple in design, it brings me immense joy, serving as a gentle reminder to be thankful and embrace happiness.
Artist Statement
Embarking on my journey as a self-taught artist, I was confronted with the aftermath of two life-altering accidents. Though I emerged from these incidents with my life intact, the toll it took on both myself and my family was profound. Seeking solace and a means of healing, I turned to art, finding a sanctuary within its colorful embrace. With each brushstroke, I discovered a newfound appreciation for the vibrant spectrum of hues that danced across the canvas, infusing me with a sense of joy that had long been absent. Through my art, I embarked on a journey of self-discovery, learning to embrace and celebrate the person I had become in the wake of adversity, rather than longing for who I once was. Despite appearing physically unscathed, the scars left on my psyche were deep and enduring. Yet, through the therapeutic power of artistic expression, I found a lifeline—a way to navigate the tumultuous seas of my emotions and emerge stronger on the other side. Today, as I reflect on my artistic evolution, I am filled with gratitude for the transformative role that art has played in my life. Each piece I create is imbued with the vibrant hues of happiness and resilience, serving as a testament to the power of creativity to heal and inspire. As I continue to hone my art, I am reminded of the endless possibilities that lie before me, each stroke of the brush a testament to the boundless potential of the human spirit. For me, art is not merely a pastime or a profession—it is a lifeline, a source of endless wonder and fulfillment that I cannot imagine ever being without.
Shabnam Modjarrad
Queenship, acrylic, gouache, gold pen, & lace, raw steel frame. 11x14in. $450
September of 2022 a young Kurdish woman by the name of Mahsa Jina Amini was killed by the government of Iran because her head cover was not adequate. This began a women's led revolution across the entire country. I wanted to depict her as a shining light. This is the 'light' in the crack of darkness. Her name Jina means Life, she was 22 years old.
Artist Statement
I am increasingly mindful of my impact on the natural environment. My love for colors and details within nature serves as my constant teacher and has perhaps a heavy influence on how and what I choose to create. In addition, I believe art has the power to help heal our traumas. What lies between the cracks is the truth we reveal, beautiful yet ugly, hopeful yet dark. By telling our stories and our struggles we shed light deep into the shadows. This LIGHT is the JOY we choose to project and amplify. Yet, there is another aspect to my process that is unapologetically shaped by several years of education, training and practice of architecture.
Crystal Nelson
We’re a Mess, mixed media, 17x21in., framed, $425
My motto is “Seek beauty, seek truth”. Beauty comes from the mess, beauty can only shine when compared to the mess. Often beauty is the mess.
Artist Statement
I consider myself a process oriented abstract artist working in acrylic and collage. My process involves both play and precision. I am always exploring authentic shapes and textures while trying to design a surface that has a history and narrative. I want the viewer to look deeper than just the surface of my work to find truth and beauty, their own story.
Kasey Jones-Parker
Peahen XIII In the Tapestry of Avian Dreams, mixed media, 24x24 in. $850
As a child, my world was adorned with the whimsical presence of wild neighborhood peacocks—feathers ablaze with iridescence, haunting calls echoing through the dusk. In the embrace of this surreal landscape, a vision emerged: a woman and peacock hybrid, an exquisite fusion of the enchanting creatures that danced through my formative years. Imagine her—a woman with the ethereal grace of a peacock, her limbs adorned with feathers that echo the iridescence of the sunset. Her eyes, twin orbs reflecting the mysteries of both human emotion and the enigmatic gaze of her feathered counterpart. The peacock's majestic plumage cascades, merging seamlessly with the flowing contours of her silhouette. In this painting, the melding of woman and peacock is more than a mere visual spectacle; it's an homage to the untamed spirit of youth. The vibrant hues of the peacock's feathers become a metaphor for the kaleidoscope of experiences that shape us. Each feather tells a story—an adventure of childhood mischief, a splash of joy in the face of discovery, and the unfolding tapestry of growing up in the company of these majestic birds. The woman and peacock hybrid is a celebration of the wild, unbridled essence that defines both the human spirit and the flamboyant display of the peacock's plumage. The feathers, like memories, unfurl in intricate patterns, carrying the echoes of laughter, the rustle of leaves underfoot, and the ceaseless curiosity that accompanies the journey from youth to womanhood. This painting serves as an artistic chronicle, a personal mythology born from the vivid palette of my childhood. It beckons viewers to reconnect with the untamed wonders that once fueled their imagination. With each stroke, I aim to transport them to the realm where the boundaries between the real and the fantastical blur, where the spirit of a woman dances in unison with the radiant allure of a peacock. "In the Tapestry of Avian Dreams" is not merely a portrait; it's an invitation to revisit the enchantment of childhood and rediscover the vibrant, untamed hues that still linger in the recesses of memory. May this painting be a testament to the magic of wild encounters and the indelible mark they leave on the canvas of our lives.
Erica Pepper
Orchid 1 Flowerographies, mixed media on paper, 24x24in. $525
This was inspired by my grandmother- and the stories of flowers- Flowerographies-The Orchid- Meaning-Love- beauty, refinement, blessings of many children, thoughtfulness and mature charm. All are her.. they pass down to my mother and all my aunts..=) The flower and the bouquets were meant to send messages long ago different then we send today...secret ones. She has inspired this as she was a dynamic woman who persevered and we have all looked up to in our family.
Artist Statement
Erica is a local artist whose primary mediums include mixed media paintings and collages. For inspiration, she channels her passion for nature, vintage images, and change. Intrigued by the metamorphosis of caterpillars into butterflies, many of Erica’s pieces express the pivotal changes people experience in their lives. Her portfolio includes collections, “Je t’aime Femme”, “Uncut Gems”, and the “Butterfly Series”. Through these three central themes: metamorphosis, pop art, and women’s empowerment she finds that this is a way that she can let her voice be heard through her art and find connection with the viewer. Works from her butterfly, pin-up, and nature inspired series have been on display at events and in private home showings. She has also been part of the Left Bank Artist studio tour and had her art displayed at Talulah & Hess. The Oklahoma City native attended the Savannah College of Art and Design (SCAD). She has lived in Dallas for the last fifteen years. Her commissions include canvasses and seashell-adorned ceramic busts for private clients, as well as in-house mural paintings for customers of an upscale children’s store.
Anna Mikhaela Reyes
Home, colored pencil, charcoal, and gold metal leaf on Bristol paper, 20x14in. $1,000
Looking back on my childhood, two memories are the most prominent for me:
1. I was eating breakfast with my sister, mother, and stepfather on one peaceful morning. Just as I started to recognize that sense of peace, I suddenly felt a feeling of homesickness for a place I didn't know. This feeling followed me well into my adulthood.
2. As a child, any chance I got to make a wish (i.e. blowing out birthday candles, wish bones, etc.), I always wished to be happy. Up until now, it never occurred to me that I wished to be happy simply because I wasn't.
Growing up, I didn't have a good example of self-love. I didn't have a voice telling me I was good enough just as I was. Self-worth was deemed conditional: I had to look or behave a certain way in order to be desirable or loved. At one point, I thought, "If I just had that person's face and this person's body and these clothes and this and that... then I will be happy." Today, things are different. I am happy, I am doing what I love and I love the people around me. It took therapy, support, and a long time for me to get here. I still have moments when I weep for the little girl who never understood why a house didn't feel like home and the awkward teenager who forced herself to be someone she wasn't just to be someone at all. We all have setbacks but love is an action, not a feeling: we must choose to pick ourselves up and kiss all the places we feel the hurt. This piece is special to me because it represents all the things I never knew I needed: love for my mind, body, and soul. I used to grow my hair out and over-exercise because I thought it was the only way others would find me attractive. Today, I keep my hair healthy to watch it grow, and I exercise to keep my body strong. To love oneself is to adorn one's complexities with gold and to allow something beautiful to bloom even in the darkest corners of one's being. This is represented by the jasmine flowers, which symbolize love, weaving its golden vines through the tangles of my hair.
Artist Statement
I am inspired by nature, the human figure, and the human condition. My work explores themes in psychology (namely mental health, trauma, and abuse), the flux of personal vulnerabilities, and the elusiveness of interpersonal connection. Common to my work is obscure symbolism as well as the intertwining elements of romance and melancholy—an acceptance that the most beautiful things in life are often bittersweet. As a pensive person, the goal of my work is to share my concepts and to draw moments of connection with those who empathize with them.
Juliana Rincon
Delight, sculpture, 10x10x1.75in. $333
Post burnout, I've had to become very intentional about how I live my life, and this piece functions as a instructional rite of centering and grounding to open to joy. This piece has its locus in the embroidered self portrait as a celebration of the non aesthetic ways joy expresses itself, like a too loud bray of laughter. The background is a grounding reminder of the wisdom that water carries: of knowing when to flow and when to stay calm. Alongside are the powers of music and the full spectrum of light with the lesson that humans , like plants, do better with both in our lives. In front is a lattice of intersecting lives represented by golden threads: our lives are part of a larger picture that is difficult to predict from the shape of the parts. In the liminal space of the frame, the connection with what lies beyond our time: to the past, the traditions of my ancestors - represented through frivolite lace - and the unknown future in the realms of the cosmic symphony we play.
Artist Statement
After a deep depression turned my world into black, it seemed joy itself was calling out to me, inviting me to heal through making things with my hands, contact with and connecting to music. Working with needle and thread mended me back together and I could feel connected to the generations of women before me who took to fiber as a way to express and find themselves. In this piece, I mix papercraft with weaving, lacework and embroidery as an altar to the elements that have inhabited this stage of my creative journey.
Jaminet Rivera
Celestial Realm, digital photography, 14x18in. $335
Part of my "Joyful Journey" in photography includes experimenting with different mediums and types of photos, in this case, long exposure photography and smoke. I was mesmerized by the shapes I was able to create by using something as simple as incense. To me, it's like a glimpse of a spirit rising to its heavenly home.
In the Purple Haze, digital photography, 14x18 in. $335
While watching nature documentaries, my imagination took me to a lush forest at night, where giant mushrooms of various colors released their spores into the air. It was as if these spores were traveling everywhere around us.
Artist Statement
Born in Ponce, Puerto Rico, my photography is a reflection of the enchanting landscapes and beautiful people I observed as a child. Photography has been a passion project that has given me the opportunity to travel, experience other cultures and meet people from around the world. As an adult, recording the world around me has given me an unquantifiable love to capture scenes of breathtaking beauty shaped by our Creator or people who draw you in with their charisma. My goal is to make the viewer stop and analyze every detail of the photograph, transport you to that place or invoke an emotion of a portrait or a moment frozen in time. Being the mother of an adult in the Autism spectrum has given me an opportunity to see life with a different perspective and has opened my eyes to things that would otherwise go unnoticed. I have resided in the great state of Texas for over 30 years and I can proudly say that my Puerto Rican roots are well established, but I love being a Texan too!!
Nadine Romain
Nympheas, acrylic on canvas, 30x40in. $6,500
My own interpretation of Monet's waterlilies in his garden at Giverny. I wanted to add a depth of unknown territory in the background- a forest or magical world to be explored or feared. I created an eerie atmosphere with the floating mist contrasting with the dark waters. The softness of waterlilies disappearing into the mist contrasting with the crisp details of the flowers in the forefront..
Artist Statement
I have been an artist my whole life, and always liked to play with many different mediums, matching the multiple facets of my deep inner being and allowing me to express my vision truthfully. This is why I have had the most joy lately in creating very intricate pieces like “Be You”. I start with a simple yet sophisticated background of washed acrylics and inks over a textured canvas, sometimes adding collages of written words; the composition is developed beforehand (except when it is not) and set in acrylics. Then the focal point (or points) is finished in oil to standout even more. I like to keep elements of nature in these and relay the symbolic meaning of the flowers I choose. I have also introduced animal companions in my Female Archetype Series. In parallel, I keep expanding my stylized-flowers-on-wood-board collection and, beautiful sunlight either in the countryside, over the ocean, or over a well-known city continues to inspire me. Being a full-time artist is the realization of a long-time dream. Even if the journey takes unexpected turns or delays, I live my true calling.
Betzabeth W. Pagan Sotomayor
Bee-autiful Harvest: Nature’s Pollen Dance, digital photography, 16x20in. $250
I find inspiration in the delicate dance of nature's pollinators. Just as the bee gracefully gathers pollen, let us too gather inspiration from the beauty that surrounds us, embracing the simple yet profound wonders of the world. Through my lens, I approach photography as a celebration of nature's intricacies.
Artist Statement
I embark on a joyful journey through photography, with a special focus on capturing the beauty of nature. For me, each photograph is like a poem, expressing the profound emotions and intricate details of the world around us. Through my lens, I explore the wonders of the natural world, finding inspiration and joy in every moment captured
Kelsha Spencer
GAZE, paper collage on mat-board, 24x36 in. $400
GAZE is a testament to the lack of positive portrayals of black women in mainstream media. Stemming from a profound sense of urgency to counteract this narrative, the piece serves as an homage to the complexity and multifaceted elements of black womanhood. Through GAZE, the intention is to spotlight the myriad of roles black women play in society and to offer a compelling alternative to the limited representations often perpetuated by television and reality shows. Ultimately, it aims to inspire and uplift, highlighting black women as invaluable role models for young girls, illuminating their magic and strength in a world that often fails to recognize it.
Artist Statement
As an artist, my creative journey is intertwined with the deep connection to my roots, shaped by the landscape, history, and culture that define the South, more specifically the Black South. Through my artistic expressions, I strive to channel the essence of my heritage, using it as a vessel through which I explore the world around me. My work is deeply informed by the Black perspective—a perspective that carries the history, strength, and spirit of a community. By channeling this perspective into my works, I aim to shed light on the stories, struggles, and triumphs of marginalized youth and Black women. Their voices, often overlooked, serve as a springboard of inspiration for me, driving me to craft visual narratives that demand attention and reflection. Central to my artistic vision is the exploration of the pivotal role played by Black women in today's society. These women are the pillars of strength, influence, and innovation, often holding together families, communities, and movements. In my work, I seek to illuminate our stories. Through my art, I aim to honor the legacy of these women while challenging prevailing narratives and stereotypes. Ultimately, my art is a vessel for dialogue, change, and self-reflection. It's a reflection of my commitment to using creativity as a catalyst for societal evolution. Through my Southern heritage, the Black perspective, the narratives of marginalized youth, and the steadfast spirit of Black women, I aspire to create works that transcend boundaries, challenge perceptions, and foster understanding. My art is an homage to those who have come before, a celebration of the present, with the intentions to guide us toward a more inclusive future.
Jess Tedder
Killin’ Time in the Emerald City, oil on canvas, 36x24in. $1,200
Titled after the rolling hills around my home & their emerald glory in the spring. I would walk for miles up and down the back roads and hills, taking in every flower, noticing something new each time on my route. These walks became my sanctuary and a space where I felt I could be alone with nature - as well as organize my thoughts.I am grateful to have come from such a lush environment. Cities make me overstimulated, so I frequently return to nature to regain my balance & clarity.
Artist Statement
Jess is a Turkish-American artist living in Weatherford, Tx with her dog Nash. Jess' body of work is a reflection of her daily life. Her landscapes are inspired by long walks in the country and her travels. The portraits of familiar faces and strangers are derived from her street photography and imagination. Often inspired by memory, feeling and intuition she approaches the canvas without a plan. This method allows her to go beyond the surface of objects, people and places around her and find the unexplored and unexpected of everyday life.
Lori Whitaker
Giverny, oil on board, 10x26in. $950
The inspiration for this piece came from a visit to Monet's garden in Giverny France. When I came home, I wanted to remember how calm and happy I was on this trip with my big sis who I have been very close to all my life. We had a marvelous girl’s trip and I wanted to capture the best moments. So, I gathered about ten favorite spots I had photographed and proceeded to document our time together. I finished it just in time to send her a print for her birthday.
Artist Statement
Artist Lori Morrell-Whitaker spent her childhood playing in the woods of the Big Thicket and the shores of the Gulf coast. Her love for drawing and painting was inspired by the desire to hold onto the natural beauty surrounding her. She captures memories of family and places that have impacted her life through mixed media, pen and ink sketches, figure studies, portraits, and botanical drawings. In doing so she immortalizes her subjects and environments, and pieces together her own identity. Lori loves being outdoors and her love of nature has found its way into her artwork. She often combines the figure and natural environments in abstract as well as traditional styles. Lori’s says of her work, “I feel nature is a natural healer for human suffering which is why I enjoy creating artwork that soothes the soul and transports the viewer to a calming space.
Susan Williams
Intention & Radiance, oil on canvas, 30x48in. $4,800
My inspiration for this piece was the reach of tree limbs.
Artist Statement
When I paint, I see out of my mind's eye, sky or light and something of nature. Those simple things remind me that we are all part of something greater than ourselves. We can't see without light, and the sky takes focus to the infinite and nature shows the marvel that is right in front of us. I want the viewer to feel they, too, are in a place considering the beauty and wonder of the infinite and the immediate.
Canela Paint (Kaneesha Worthington)
Consistent, digital canvas, 30x40in. $350
While creating this piece I was struggling mentally and saw this beautiful woman with flower eyes. I immediately was drawn to crate this but life was happening and I stopped the process. Late last year into this year, I begin going through separation/ divorce and once I was moved into my new place- I felt my inspired to continue this piece and she symbolized my new beginnings. The flowers represent spring and new growth. The circles of her earrings symbolize a continuous evolution and her necklaces shows that life has it up/ down and curves, but life goes on. She shows that you can be consistently growing and becoming into your own.
Artist Statement
I’m Kaneesha Worthington and go by the artist name Canela Paint. My art name embraces my Hispanic heritage and was a nickname given to me years ago by a coworker because of my skin. It’s carried into my art work as I often draw and represent brown and African descent women in my art. Although Covid was a difficult time for a lot of people, during that time I found self discovery and helped heal my inner child that loves to create and that when I started painting and drawing again. I am an emerging artist with a focus on pop culture digital lifestyle art.
Liana Yarckin
Here Comes Summer, watercolor, 30x38in. $2,400
When sitting on the beach, I see something moving towards me in my peripheral view. I look up to see these colorful floats rolling to me. The family they belonged to came running over apologizing. I kept thinking of that image, the colorful floats rolling and bouncing uncontrollably. I went over to the family, introduced myself as an artist and asked if it would be okay if we tried to recreate the scene so I could get photos to paint. The family was so excited because that mom dabbled in drawing. Her boys and I worked together trying to recreate the scene. I took several photos. Nothing exactly as I saw, but, enough photos that I could draw what I felt I saw and experienced.
Artist Statement
Liana Yarckin focuses on noticing and painting the beauty that surrounds us to uplift and remind us how fortunate we are to have this beautiful life. Colors in shadows, insects buzzing about, the shape of the moon, we are so lucky to get to see these beautiful things in our day. Her work is exuberant with the subjects and colors she chooses, expressing beauty and joy for life. Dallas-based, she has an architecture/interior design background and earned Signature Status in the Southwestern Watercolor Society. Her commissioned work includes both individual collectors and commercial clients. Liana is involved with arts in the community as a member of local art associations, community art classes and art boards.